Friday, July 03, 2009

Terminator Salvation (2009) Review

Reviewing Terminator Salvation is never going to be easy for me. Seeing Terminator 2 was one of my stand-out movie experiences. It was a rare beast in that it managed to combine a strong storyline with a huge special effects budget (instead of the more usual studio policy of replacing a strong storyline with a huge special effects budget.)

What about Terminator Salvation? It must have handed over more cash to the effects guys to make it look as if things were being blown up than most armies spend on the real thing.
Industrial Light and Magic certainly earned a prominent place in the credit roll, delivering exactly the seat-juddering spectacle we have come to expect.

But how about the story?

Well, there was one, despite what I heard reviewer Mark Kermode saying on the Radio 5 Live this afternoon. But thinking back now, 24 hours after I walked out of the screening, I am finding it somewhat hard to remember all the ins and outs.

There's this guy, John Connor (Christain Bale), who looks grim and shouts a lot at this other guy in a submarine who also shouts and looks grim. But then, the year is 20-something in the future and the machines are doing the usual Skynet thing of trying to take over the world. So looking grim and shouting is probably an appropriate response. Though it did make it harder to engage with him as a character.


Most of the movie takes place in the future, but before the time travel of the earlier movies(Before? Uh, hold on a moment. Couldn't they...? Best not ask.) Can a man who has done evil things find salvation, the movie asks? To reveal the answer would be to give away the ending, so I'll leave you to guess what Hollywood is going to pronounce on that one.

I did find the dénouement cheesy. And the ending speech could easily have been replaced with someone winking at the camera and saying: "Enjoyed the explosions? Just wait till you see the sequel." But Terminator Salvation isn't a bad summer blockbuster for all that. It is easy entertainment that sits comfortably on the big screen.

It is always going to stand in the shadow of the original movie - which was better storytelling on a far lower budget. And both stand in the shadow of T2. But hey, that's not such a bad place to be. Most action movies do.

Thursday, July 02, 2009

Cinema de Lux - Highcross

Cinema de Lux in Highcross was my destination yesterday morning as I headed into Leicester. Yes, I was fleeing the sweltering heat that has gripped the city for the last few days (If you live outside the UK, read 'sweltering heat' to mean 'mild summer weather') I was also looking for a way to chill my brain after the feverish unreality of seven days of non-stop screenplay writing and editing.

Why did I choose Cinema de Lux out of Leicester's clutch of multi-screens? The seats in the Odeon are frankly uncomfortable. Vue cinema - my usual destination - doesn't start screening until later in the day. And the others are somewhat off my radar. (I must explore more. Feel free to send me tickets and I'll review your cinema for you.)


So I took my first exploratory steps into Leicester's newest cinema. It was 11.25am and I was heading in to see Blood: the Last Vampire, reviewed in yesterday's posting.

First impressions were somewhat marred by the fact that the £1 voucher clutched in my sweaty hand was refused at the front desk. "You can't use that, I'm afraid. That's only valid after 6pm. The tickets are more expensive then, you see." I coughed up the cash and took my ticket. But as I was walking away I heard the same line being delivered to the couple in the queue just behind me. "You can't use that, I'm afraid..." I read the small print afterwards and was still none the wiser. It seems a petty policy and leaves a bad taste. However, I was so relived to be standing in the air conditioned lobby that this didn't feel like too much of a hit.

Going to the cinema during the day is one of the perks of being a self-employed writer. It is a way to avoid the crowds and all the distraction of slurpings and crunchings from the seat in front. I've been to showings when there were only four of us in a large theatre. But never before yesterday have I been the only viewer. I asked afterwards and was told they would still have shown it if no one was there.

With the luxury of solitude I tried a variety of different seats, in search of the optimum position. I turned my mobile off then turned it on again, realising that it really didn't matter because I wasn't going to disturb anyone. Then turned it off again realising that I didn't want to be disturbed either.

I watched the movie in eerie isolation, enjoying the chance to lounge around but realising that the feeling one is sharing a film with others does curiously add something to the viewing experience.

I should report also that the seats were more comfortable than those in the Odeon, though I still prefer Vue in that respect.

On leaving the lady usher asked if I'd enjoyed the film. I had. She loved it too, she said. Had seen it three times. Liked the way the plot unfolded, and that it was a vampire story - which she particularly enjoys.

She was genuinely interested, genuinely engaged and genuinely likes the cinema she works for. And that was great to see. If the place motivates its staff to feel so positive, perhaps I can forgive them the voucher scam after all.

Wednesday, July 01, 2009

Blood: the last vampire 2009

Blood: the Last Vampire (2009) is a live action remake of the year 2000 anime movie of the same name.

In plot terms, this is a standard revenge tragedy with a few scenes from Star Wars spliced in. I’m not saying that is necessarily a bad thing. Most hero epics follow the same pattern: Orphan sets off to do battle with his nemesis, the quintessence of evil. Along the way he fights and spectacularly defeats improbable numbers of evil and increasingly powerful henchmen. But on coming face to face with the biggest, baddest baddie of them all, he finds a mirror of his own self and becomes aware of his own dark side.

Switch ‘he’ for ‘she’, and ‘a galaxy far away’ for 1970’s Japan and you have this movie in a nutshell. And it is none the worse for following a tried and tested formula.

You don’t go to a ballet, a rock concert or a fireworks display for the plot. And let’s face it, you don’t go to an oriental vampire and demon martial arts flick, for that reason either. A movie like Blood: the Last Vampire is going to stand or fall on the quality of the fight choreography and the precise genre-styling.

On that basis, the film delivers more-or less what you’d expect. Our hero is a samurai sword wielding immortal with a need for regular blood refills, who just happens to look and dress like a Japanese high school student. The demons she fights cleverly disguise themselves as human for most of the time, transforming when needed into a range of fanged beasts. The first set are little more than martial art-enabled zombies, but the medium range change into heavily muscled, winged and fanged creatures. The big baddie is of course perfectly human-looking, and would not look out of place on the catwalks of Paris or London, if she could stop decapitating people for long enough.


Does the styling work? In part. There are good fights, lots of brooding silences and more wire work choreography than you could shake a stick at. But the intermediate beast creatures were distinctly dodgy. More like 1970s Plasticine Godzillas than 21st Century digi-tech creations.

Hero and side-kick battle their way entertainingly through to the climactic scene – which was so Star Wars-like that I was sure they’d mention ‘the dark side of the force’ at any moment. (Alas, they didn’t.) And in the end, naturally enough, room was left for a sequel.

If you like creatures with fangs doing battle with sword-wielding Japanese schoolgirls (and if you are 18 or over) this might well be a movie for you. But you’ll have to overlook the dodgy monsters.

Tuesday, June 30, 2009

Screenplay First Draft

The first draft of the White Angel sequel screenplay is written and has just a moment ago been e-mailed to Chris Jones. I am a bit frazzed, having done nothing much else for the last 7 days but work on it.

Now, how to de-frazzle?

Monday, June 29, 2009

Self-imposed deadlines

Self-imposed deadlines become more real when you tell other people about them. More real means more focus. That's the positive side of it. I have done masses of writing and editing in the last 7 days. On the negative side, I am REALLY tired.

Perhaps it wasn't best idea to tell the world that I would be finishing the screenplay by the end of the month. That's tomorrow. (Midnight tomorrow to be exact.)

I'd better get to bed.

Saturday, June 27, 2009

The author and the 'paperless' office

I'm editing, but finding it difficult to get a sense of the whole thing. A case of can't see the wood for the trees. And speaking of trees, I printed out the whole thing again last night and now have Act 2 spread out on the carpet. Whatever happened to the paperless office?

video

Unfortunately, having been banished from the living room, I have no space to see the whole thing in one glance. It is a case of going along the landing and into the bedroom. The above clip should give some sense of what it looks like (even though upside down and back to front!)

Thankfully, this approach to screenwriting does seem to be working. I have spotted a couple of problems and been able to address them.

Thursday, June 25, 2009

White Angel 2 Screenplay update

Status update:

I have edited through from start to finish, ironing out continuity errors and harmonizing the voices (so characters don't change their speech patterns too much from one scene to the next).

The script has crept up to 78 pages now - roughly 78 minutes of screen-time - which puts me in the right zone in terms of length. I have 2 scenes to add - which will push it up to something like 83 pages. But further editing will tend to shrink it down again as the dialogue becomes sweeter and shorter. So it looks as if I will end up close to my original estimate of 80 pages.

I have told Chris Jones I'll send him a draft by the end of this month. (That will probably be a minute to midnight on the 30th.)

Anyway, what with all the hours of editing, my brain feels moderately fried. So I will leave it at that for today. Thanks for bearing with me.

Wednesday, June 24, 2009

Dyslexia experiences in primary school

Following yesterday's discussion regarding Sir Jim Rose's report on dyslexia, I have been thinking again about my own experiences in primary school. What follows is an extract from the book I have been writing about dyslexia. I don't usually post extracts of my work in progress on here, but in this case it seems relevant.


When I entered school, at the age of five, my teachers discovered that on the scale of ability with which they measured all pupils, I defined the lowest point.

‘You’ve had two bright children,’ they told my surprised parents. ‘You were lucky in that. But this one will never achieve anything.’

My primary school was a solemn looking building of grey stone and Welsh slate. Carved into the lintel of one of the two doorways onto the street was the word ‘BOYS’. The word ‘GIRLS’ adorned the other. But by the 1960s we all jostled through the same entrance in a co-educational scrum. There were thirty of us sitting on our small chairs behind small desks. Fresh faced and, to a greater or lesser degree, innocent.

The teachers must have clicked that something was wrong the first time they laid eyes on my exercise book. I was not the same as the others. My attempts to form letters on the page were no more than scribbles along a line. Every week that passed reinforced the initial impression. Other children wrote words then sentences. I wrote nothing that was legible.

I was inferior to the other children in almost every respect. I couldn’t read or write. I lacked that bad-boy charisma worn so effectively by the other under-achievers. Coming from an academically inclined family, I knew nothing of football or rugby. The least disastrous lesson for me was art, in which I achieved mediocrity and a blissful, if temporary, invisibility.

Not that I started out trying to be invisible. I toddled through the doors of that stone building and across the squeaky wooden floor with an innocent positivity and a belief that all children were more or less like me.

There was no single moment when I realised my mistake. Understanding grew in two phases. First was my dawning awareness that I was different from my classmates because of my stupidity.

I remember sitting, bent low over a comprehension exercise, my left arm forming an L shaped screen around the paper. I was seven and could string letters together by that stage, though I didn’t want anyone to see my clumsy scrawl.

I could also read some of the words on the printed page, my mouth miming the vowels as my finger hovered next to them. But to read a sentence was a challenge. I had to decode the words one by one. I had to keep them all in my mind, remembering the beginning of the sentence by the time I eventually arrived at the end of it. That took ferocious concentration. Enough to set up a tightness across my forehead, as if I was being gripped there by a vice. If at first the meaning didn’t come, I could always tighten the vice a little more. I was good at concentrating. I was getting lots of practice.

By the time I’d struggled through two of the ten questions, other children were finishing the whole activity. One by one, they trotted up to the teacher’s desk, books in hand, hopeful expressions on their faces. One by one she invited them round to stand next to her as she marked their work. A line of ticks down the side of the page. A smile. A word about something they could do better. One by one she released them to play or draw pictures.

Finally the allotted time had passed. I approach her desk, last in the line of stragglers, having attempted only eight out of the ten questions, exhausted from the effort. There was no time for marking. She had to move us on to a new activity. The bright kids were rested and now they were and starting to get bored.

It was the following day before I could collect my work. My scrawl of pencil shot through with red biro corrections. A line of crosses down the side of the page. ‘Three out of ten See me!’
I approached her desk with dread, wanting the world to disappear into blackness.
How, she wanted to know, could I be getting the spelling of words wrong, when they were there in the printed text on the opposite page? It could only be carelessness. I should take more pride in my work.

‘See me.’

I was seeing her. That concerned expression. How could she get through to me? I may have struggled to read the words on the page, but I could read her clearly enough. I’d always been able to know what people were feeling, to feel the echoes of their emotions in myself. That over-active empathetic sense.

Such a nice boy I seemed. An enigma though. I looked to be trying. But the evidence was clear. I must be lazy. Or stupid. Although neither description seemed quite to fit. If there was only more time, perhaps she could have taken me aside and worked out what was wrong. But time only for an admonition. You must try harder. Try harder. Try harder. I don’t know what you were thinking of - handing in a piece of work like this. Were you day dreaming again? Next time, try harder.

So I did. Always harder. Sharpening and compressing my focus. There had to be a way of doing it. Everyone else was doing it. Just a little harder.

There is a point when an instrument has been strained so far beyond its tolerance that it snaps. But the brain it seems is not like that. There is always more concentration to be extracted. I just had to try a little bit harder...

Tuesday, June 23, 2009

Sir Jim Rose report on Dyslexia

The long awaited report by Sir Jim Rose on "Identifying and Teaching Children and Young People with Dyslexia and Literacy Difficulties" has been published.

Significantly, the report provides an authoritative statement that dyslexia does exist.

It also offers a description of dyslexia, which seems likely to be helpful in reducing confusion and may well become a standard definition. (The existence of a multiplicity of definitions has curiously been used in the past as an argument against existence of the condition. Some strange logic there.)

The report admits that research into dyslexia has tended to keep a narrow focus on reading and writing, even though many dyslexics would regard other issues as more significant. It does mention (in section 5) some of the related issues that dyslexics face - though this is touched on rather briefly.

On the negative side, the report does seem to fall too easily into the language of disability. If there are references to typical dyslexic strengths, I have been unable to find them. It seems to me that this was a missed opportunity.

Dyslexic strengths are under researched and under reported. When we look at the widely published lists of successful dyslexics, we are reminded of people who learned to harness exactly these strengths.

How long is a low budget movie?

I am immersed in writing the screenplay, so the blogging has been very slight over the last week. I'm also sneezing. Yes, it is the hay fever season.

A brief report on the screenplay:

Three acts are written. It comes out roughly 10 pages short. I still have two aspects of one sub-plot to work into it. These are connected with a character who is dead already by the beginning of the movie - developing her back-story and investigating her death. In my estimation, inserting this material will take the screenplay to my target length - of around 80 tightly worked pages, roughly 80 minutes of screen time.

Bearing in mind that each minute on screen costs money, and that this is to be a low budget movie, the intention is to make it as short as possible whilst still being long enough to be considered a feature film. My aim had been in the 77 to 83 minute range. Happily, we seem to be heading for the bulls eye.

Today, I am reading through from the start to the finish, editing as I go, identifying places where my insert scenes could work.

Friday, June 19, 2009

Search Engine Optimization and new Blogger

Much is talked about the dark art of Search Engine Optimization (SEO). But the actual substance of it is usually kept behind locked doors. Pay me a shed-load of cash and I will work my magic on your website, making it appear nearer the top in Google searches.

But (as always) the advice on this blog comes to you free!

There are people who believe SEO is just a sprinkling of common sense dressed up with the smoke and mirrors of a conjurer and the hype of a good marketing machine. There are also people who believe that a good SEO consultant will boost the volume of traffic attracted to a website by one or two orders of magnitude. As with most things, the truth probably lies somewhere in the middle.

So here is one little observation to add to the mix. Having just reformatted from the old Blogspot templates to the newer system, I notice this blog coming out lower in Google searches than it was doing last week. I don't know whether this change happening at this time is coincidence or not. But I thought I'd share it with you anyway.

The common list of other things to do in order to boost the number of people finding your site from Google, Yahoo and others includes:

Research commonly searched for phrases. (Google, YouTube and others have helpful predictive text which flashes up lists of the phrases people most commonly type in as soon as you start to type.)

Use key phrases in the title of the site, the title of the page, the title of the article and the first line of the article.

Include captioned photographs.

And most importantly - get other sites to link to yours.

Do please add suggestions to this list. Especially if you are an SEO consultant or have had an SEO consultant work on your site. :-)

Thursday, June 18, 2009

Blog Visitors

Having moved over to the new blogger platform the other day, I was having a look at my visitor statistics and was shocked to see they had dropped to zero. No visitors at all?

Duh. Slap palm to forehead. I'd not moved the counter software into the new blog page template!

The glitch is now amended and thankfully people are still looking in from time to time.

White Angel Screenplay

I am sitting surrounded by pages of printed screenplay.

The opening act is sitting in one pile. That is fairly tight already. I may need to back-write some details into it to justify what happens later, and I will need to work on the dialogue, of course. But the scene by scene structure is more-or-less in place.

Similarly, Act 3 is sitting in a pile. The details of what happens may change. But the basic structure is fairly well established.

Placed in a long line on the floor are the pages of Act 2. This is the area of the script where most of the changes are going to have to happen. This is still fluid. With it laid out like on the floor, I can see in one glance where the long and short scenes lie. I can spot patterns and rhythms.

What I have found today are three significant sub-plots which can be developed. These will break up the rhythm of the main story and make it feel less linear. There is a character who has already died at the beginning of the movie. Her story can be developed as can the investigation into her death. There is also a power struggle going on between two of the secondary characters. This is going to be opened up. And finally, I need an excuse for one of the convict characters to start a fire in her cell. I'm not sure what that is going to be yet, but I know how they put it out!

I also watched the original movie again, trying to get the voice of the central character, Ellen Carter. I haven't quite got it pinned yet, but I'm not far off. Her main characteristic is that she doesn't say too much. She looks at people and they tend to say things to her.

Wednesday, June 17, 2009

Moving to New Blogger

When I started keeping this blog, four and a bit years ago, the system offered by Blogger had fewer bells and whistles than it does today. A new, improved platform came online some time ago, but since my blog was already up and running, I held off from switching over.

Today I gave in and switched to new blogger.

I must admit to being rather nervous. I've done much tinkering with the basic template over the years and was afraid of losing all that work. As things turned out, the switchover has been fairly straightforward. I still haven't got everything sorted. I'll still want to tinker with the fonts and colours. The information in the side-bar will be shuffled to some extent. The links list will be expanded.

If you have any problems with the new layout, please let me know.

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